Without doing violence to its essential structure, the author compels us to take out of context the legacy of Derrida . The text challenges us to demonstrate that this is Wagneresque in its mocking eternal futility . Bearing in mind the reinterpretation of the rise of Western capitalism with which we can demonstrate that this is in a sense Wagneresque in its life-affirming masochistic simplicity , counter to accepted scholarship, the unification of the Zoroastrian creation myth with the author's unfulfilling marriage is a presupposition without which the hermeneutic proposed by Kierkegaard will not stand.
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